The glass blocks in my work are not decorative elements but central conceptual structures.
They create a system of division, filtration, and distortion — an architectural framework that mediates between the figure and the viewer.

The glass allows only partial visibility. It reflects, fractures, and distances the human body, blurring identity and dissolving the sense of direct presence. The blocks function simultaneously as a physical barrier and a perceptual filter — at once transparent and opaque, revealing and concealing.

Through repetition and modularity, the grid establishes a controlled, almost clinical structure that stands in tension with the vulnerability of the body. The friction between rigid geometry and human materiality sharpens questions of identity, isolation, and mediation within a contemporary spatial condition.

The engagement with glass is ultimately an engagement with the act of looking itself — with the distance between seeing and understanding, between appearance and presence.